The renowned American photographer talks about some of her most famous photographs and their subjects, including Hunter S. Thompson, the Rolling Stones, John Lennon and Yoko Ono, Patti Smith, and Demi Moore.
Have pride in history. A rich and sweeping photographic history of the Queer Liberation Movement, from the creators and curators of the massively popular Instagram account @lgbt_history, released in time for the 50th anniversary of the Stonewall Riots. Through the lenses of protest, power, and pride, We Are Everywhere is an essential and empowering introduction to the history of the fight for queer liberation. Combining exhaustively researched narrative with meticulously curated photographs, the book traces queer activism from its roots in late-nineteenth-century Europe--long before the pivotal Stonewall Riots of 1969--to the gender warriors leading the charge today. Featuring more than 300 images from more than seventy photographers and twenty archives, this inclusive and intersectional book enables us to truly see queer history unlike anything before, with glimpses of activism in the decades preceding and following Stonewall, family life, marches, protests, celebrations, mourning, and Pride. By challenging many of the assumptions that dominate mainstream LGBTQ+ history, We Are Everywhere shows readers how they can--and must--honor the queer past in order to shape our liberated future.
La culture surf s'est construite essentiellement autour de l'image du surfeur blond aux yeux bleus. C'est ce monopole que le projet Afrosurf, fruit d'une collaboration entre Selema Masekela et le label de surf africain Mami Wata essaie de rompre. En quelques 200 photos, 18 pays, 14 histoire et 25 portraits de surfeurs et surfeuses du continent africain, ce livre présente toute la richesse et la vivacité de la culture surf en Afrique, du Maroc à la Somalie en passant par le Mozambique, le Sénégal et d'Afrique du Sud.
An ecologically minded collection of essays in the vein of Rebecca Solnit and Susan Sontag, covering everything from the equipment of photography to the difficulties of perception itself.
In The Picture Not Taken, the photographer and writer Benjamin Swett considers the intersections between photography, memory, the natural world, and the course of life in essays on subjects that include family snapshots, images of racial violence, the shape of abiding love, and the experience of unforseen and irremediable loss. In these beautifully written, deeply affecting pages, Swett moves with a wonderful improvisatory freedom among his chosen themes. The Picture Not Taken is a book of transfixing pieces that possesses the intensity and integrity and heft of the wholly new.
The first full biography of the innovative «father of modern photography» vividly depicts his life and works, from Hungary to France and America, across the 20th century.
Born in Budapest in 1894, André Kertész soared to star status in Jazz Age Paris, tumbled into poverty and obscurity in wartime New York, slogged through 15 years shooting for House & Garden, then improbably reemerged into the spotlight with a 1964 retrospective at New York's Museum of Modern Art. By the time of his death in 1985, he had exhibited around the world, taken more than 100,000 images, and steered the medium in new and vital directions: He was the first major photographer to embrace the Leica, the camera now mythically linked to street photography, and he pioneered subjective photojournalism, publishing what is arguably the world's first great photo essay.
Drawing on dozens of interviews, previous scholarship, and deep archival research, and interrogating the images themselves, Patricia Albers retrieves aspects of Kertész's life that he and his pictures gloss over, among them the ordeals of trench warfare, the impact of the Holocaust, and the tale of his tangled romances. She takes Kertész from the Eastern front in World War I to the Paris of Piet Mondrian, Colette, Alexander Calder, and a lively central European diaspora. From Condé Nast's postwar media empire to the «photo boom» of the 1970s. She revisits Kertész's relationships with other photographers, among them his "frenemy" Brassaï and protégé Robert Capa. She breathes life into a gentle, generous, and unassuming man endowed with Old-World charm but also sputtering with grievance and rage and inclined to indulge in deception.
Everything Is Photograph immerses readers in the heyday of a now lost version of photography. Formally vigorous, emotionally rich, and aesthetically charged, Kertész's images speak of the medium as a tool for human connection, self-narration, self-invention, and inquiry about the world, even as they project its mysteries.
Known throughout his lifestyime as the «undisputed, unofficial Asian American photographer laureate,» the late photojournalist Corky Lee documented Asian American and Pacific Islander communities for fifty years, breaking the stereotype of Asian Americans as docile, passive, and, above all, foreign to this country. Corky Lee's Asian America is a stunning retrospective of his life's work--a selection of the best photographs from his vast collection, from his start in New York's Chinatown in the 1970s to his coverage of diverse Asian American communities across the country until his untimely passing in 2021.
Corky Lee's Asian America traces Lee's decades-long quest for photographic justice, following Asian American social movements for recognition and rights alongside his artistic development as an activist social photographer. Iconic photographs feature protests against police brutality in New York in the 1970s, a Sikh man draped in an American flag after 9/11, and a reenactment of the completion of the transcontinental railroad of 1869 featuring descendants of Chinese railroad workers, and his last photos of community life and struggle during the coronavirus pandemic. Asian American writers, artists, activists, and friends of Lee reflect on his life and career and provide rich historical and cultural context to his photographs, including a foreword from writer Hua Hsu and contributions from artist Ai Weiwei, filmmaker Renée Tajima-Peña, writer Helen Zia, photographer Alan Chin, historian Gordon Chang, playwright David Henry Hwang, and more.
Featuring never-before-seen photographs alongside his best-known images, Corky Lee's Asian America represents Lee's mission to chronicle a history of inclusion, resistance, ethnic pride, and patriotism. This is a remarkable documentation of vital moments in Asian American history and a timely reminder that it's also a history that we continue to make.
This provocative book of photography offers bold new insight into the lives of the world's largest mammals, along with their complex societies. In these pages, we learn that whales share an amazing ability to learn and adapt to opportunities, from specialized feeding strategies to parenting techniques. There is also evidence of deeper, cultural elements of whale identity, from unique dialects to matrilineal societies to organized social customs like singing contests. Featuring the arresting underwater images of Brian Skerry, who has explored and documented oceans for over four decades, this book will document these alluring creatures in all their glory--and demonstrate how these majestic creatures can teach us about ourselves and our planet.
Hannah Kitten Lady Shaw and professional cat photographer Andrew Marttila journey to thirty countries to bring you hundreds of photos and stories of cats from every corner of the world.
Husband and wife team Hannah Shaw and Andrew Marttila have made cats their lives'' work: they rescue and rehabilitate neonatal kittens, educate the public on cat and kitten care, and capture our feline friends'' unique personalities through writing and photography.
Now, in the project of their dreams, they''ve taken their passion for cats global. In
