Au beau milieu de la frénésie des années cinquante, Jack Kerouac, à l'instar de beaucoup d'écrivains américains des générations précédentes, choisit l'errance.
C'était la solution idéale pour un écrivain qui voulait retrouver l'Amérique mythique et l'homme dans sa pureté originelle. C'est dans l'étude du bouddhisme que naîtra l'engouement de Kerouac pour la forme poétique épurée du haïku. Comme la graine qui contient l'arbre en germe, ces courts poèmes de trois vers seront autant de moments d'épiphanie ponctuant la difficile voie vers la sagesse. Kerouac apprend en pratiquant le haïku que la nature, bien que précaire et éphémère, n'en est pas moins principe de changement et de diversité.
Tout naît, puis tout meurt pour renaître et à nouveau. La souffrance et la mort sont là simplement, et intrinsèquement, inscrites dans la vie même. A travers l'expérience spirituelle du haïku, Kerouac les dédramatise, les voit comme elles sont, loin de toute considération affective et intellectuelle, loin de tout dualisme.
Sal Paradise, young and innocent, joins the slightly crazed Dean Moriarty on a breathless, exuberant ride back and forth across the United States. Their hedonistic search for release or fulfilment through drink, sex, drugs and jazz becomes an exploration of personal freedom, a test of the limits of the American Dream.
Biographical noteJack Kerouac was born in Lowell, Massachusetts in 1922. In 1947, enthused by bebop, the rebel attitude of his friend Neal Cassady, and the throng of hobos, drug addicts and hustlers he encountered in New York, he decided to discover America and hitchhike across the country. His writing was openly autobiographical and he developed a style he referred to as 'spontaneous prose' which he used to record the experiences of the Beat Generation. Kerouac wrote a number of hugely influential and popular novels - most famously the international best-seller On the Road. Among his many other novels are Visions of Cody, The Subterraneans, The Dharma Bums and Big Sur. As much as anything, he came to represent a philosophy, a way of life. He died in 1969. Main descriptionFrom the bard of the Beat Generation, Jack Kerouac's Maggie Cassidy is an autobiographical novel of young love, published in Penguin Modern Classics. Though publishers stopped Maggie Cassidy's Jack Duluoz and On the Road's Sal Paradise from sharing the same name, Kerouac meant the books to be two parts of the same life. While On the Road made Paradise (and Kerouac) a hero for generations to come of the disaffected and restless, Maggie Cassidy is an affectionate portrait of the teenager that made the man - of friendship and first love growing up in a New England mill town. Duluoz is a high school athletics and football star who meets Maggie Cassidy and begins a devoted, inconstant, tender adolescent love affair. It is one of the most sustained, poetic pieces of Kerouac's 'spontaneous prose'. Jack Kerouac (1922-69) was an American novelist, poet, artist and part of the Beat Generation. His first published novel, The Town and the City, appeared in 1950, but it was On the Road, published in 1957, that made Kerouac famous. Publication of his many other books followed, among them The Subterraneans, Big Sur, and The Dharma Bums. Kerouac died in Florida at the age of forty-seven. If you enjoyed Maggie Cassidy, you might like Kerouac's The Subterraneans and Pic, also available in Penguin Modern Classics. 'A very unique cat - a French Canadian Hinayana Buddhist Beat Catholic savant' Allen Ginsberg
A semi-autobiographical tale of Kerouac's own trip to France, to trace his ancestors and explore his own understanding of the Buddhism that came to define his beliefs.
The Haunted Life is the coming-of-age story of Peter Martin, a college track star determined to idle away what he knows will be one of his last innocent summers in his tranquil New England home town. But with the war escalating in Europe and his two closest friends both plotting their escapes, he realizes how sheltered his upbringing has been. As he surveys the competing influences of his youth, he struggles to determine what might lead to an intellectually authentic life. The Haunted Life is ultimately a meditation on intellectual truth, male friendship and the desire for movement - all themes that would dominate Kerouac's later work.
In 1944, Jack Kerouac and William S Burroughs were charged as accessories to murder. One of their friends, Carr, had stabbed another, David Kammerrer, whose sexual advances he'd grown tired of rejecting. Carr, had come to them and confessed; Kerouac helped him get rid of the weapon - neither told the police. For this failing they were arrested.
